Dennis OPPENHEIM
(Electric City, 1938 - New York, 2011)
Dennis Oppenheim è stato un artista concettuale americano, performer, artista della terra, scultore e fotografo.
Nacque nella piccola città di Electric City, nello stato di Washington, nel 1938. Non c'erano molte opere d'arte, ma sua madre incoraggiò la sua prima attitudine. Suo padre era un ingegnere, il che potrebbe spiegare le incursioni di Oppenheim nella scultura con motori primitivi e parti in movimento. Dopo il liceo ha frequentato il California College of the Arts di Oakland, poi la Stanford University. Si trasferì a New York nel 1966, in seguito acquisendo una casa e uno studio, oltre a diversi assistenti, a Manhattan.
Nel 1969, la documentazione per il progetto di land art di Oppenheim, Annual Rings, fu mostrata alla John Gibson Gallery di New York. Oltre alle mostre in galleria alla Galerie Yvon Lambert, Parigi, e alla Galerie Francoise Lambert, Milano, le opere sono state incluse in "Quando l'attitudine diventa forma" a Berna e "Earth Art" alla Cornell University, Itaca - due delle diciannove mostre collettive dell'artista hanno partecipato in quell'anno.
Dagli anni '60 le opere di Oppenheim sono state regolarmente incluse in mostre collettive internazionali, in luoghi come il Museo di Arte Moderna, il Centro George Pompidou, il Metropolitan Museum of Art, la Biennale di Venezia e Documenta a Kassel. Le mostre personali hanno incluso la Tate Gallery di Londra, il Musée d'Art Moderne de la Ville de Paris e il Whitney Museum of American Art. Grandi retrospettive sono state presentate allo Stedelijk Museum di Amsterdam, al Museo Boijmans Van Beuningen di Rotterdam, al Musée d’Art Contemporain di Montreal e al P.S.1 di New York.
La pratica di Dennis Oppenheim impiegava tutti i metodi disponibili: scrittura, azione, performance, video, film, fotografia e installazione con e senza suono o monologo. Ha usato elementi meccanici e industriali, fuochi d'artificio, oggetti comuni e materiali tradizionali, materiali della terra, il suo corpo o quello di un altro. Ha creato opere per interni, esterni e spazi pubblici.
Le opere seminali includono Annual Rings, 1968, Reading Position for Second Degree Burn, 1970, Tentativo di sollevare l'inferno, 1974, Scan, 1979, Digestion. Gypsum Gypsies, 1989, Device to Root Out Evil, 1997 e Bus Home, 2003.
Altri progetti pubblici completati nel 2010 sono Journey Home per Grand Rapids, Garden of Evidence per Scottsdale, Arizona, Arriving Home per Chicago, Still Dancing per Toronto, Pathways to Everywhere per Calgary, Radiant Fountain per Houston e Paintbrush Gateway per Las Vegas. Il suo ultimo lavoro è stato Swarm, 2011, che si trova nel campus del Norwalk Community College di Norwalk, CT.
Dennis Oppenheim visse e lavorò a New York City dal 1968 e anche a Springs, East Hampton, dal 1985. Amy Plumb iniziò come assistente nel 1977 e divenne sua moglie nel 1998. Era amico della sua terza moglie, la scultrice Alice Aycock e gli artisti Roger Welch, Bill Beckley e Vito Acconci. I suoi primi due figli Erik e Kristin e la nipote Erin vivono a Brooklyn, New York. Il suo terzo figlio, Chandra, vive nel Maine con sua figlia Issa.
Oppenheim ha ricevuto una Guggenheim Foundation Fellowship nel 1969, National Endowment for the Arts Fellowships nel 1974 e 1982, un premio Excellence in Transportation dallo Stato della California nel 2003 e un Lifetime Achievement Award alla Biennale delle Sculture di Vancouver nel 2007.
È morto a New York nel 2011.
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MOSTRE PERSONALI
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2019
Shirley Fiterman Art Center, The City University of New York, BMCC, Feedback: Parent Child Projects from the 70s,
2018
Peder Lund, Oslo, Sweden, “Broken Record Blues,”
Marlborough Contemporary, New York, U.S.A., “Violations,”
2016
Storm King Art Center, New Windsor, New York, U.S.A., Terrestrial Studio,
2015
Museo Magi ’900, Pieve di Cento, Italy, Large Drawings,
MAMCO, Geneva, Switzerland, Collection,
Halle-Nord, Geneva, Switzerland, Launching Structure #3. An Armature for Projections. ,
Wooson Gallery, Daegu, Korea, Dennis Oppenheim,
2014
MOT International, London, United Kingdom, Dennis Oppenheim,
2013
Henry Moore Institute, Leeds, United Kingdom, Thought Collision Factories,
Museo Pecci Milano, Milano, Italy, Sculpture 1979 / 2006,
Yorkshire Sculpture Park, West Bretton, United Kingdom, Alternative Landscape Components,
2012
HaBeer, Beersheba, Israel
Kunst Merano Arte, Merano, Italy, Electric City,
Haines Gallery, San Francisco, California, U.S.A., 1968: Earthworks and Ground Systems,
Palacio Almudi, Murcia, Murcia, Spain, Selected Works,
2011
Musee d'Art Moderne et ContemporainSaint-Etienne, France, Dennis Oppenheim,May 14- September 25
Eaton Fine Arts, West Palm Beach, Florida, U.S.A.
Galerie Samuel Lallouz, Montreal, Quebec, Canada
Museo Fundacion Gabarron Foundation, New York, New York, U.S.A., Salutations to the Sky,
2010
Thomas mon Gallery, Los Angeles, California, U.S.A.
Royale Projects, Indian Wells, California, U.S.A.
Buschlen Mowatt Galleries, Vancouver B.C., Canada
Galleria Fumagalli, Bergamo, Italy, Material Interchange,
Gallerie d'arts Orler, Venice, Italy
2009
Marta Museum, Herford, Germany
Scolacium Park, Catanzaro, Italy, Splash Building,
Marca Museo dell Arti Catanzaro, Catanzaro, Italy, Splash Building,
Eaton Fine Art, West Palm Beach, Florida, U.S.A., The Garden of Evidence,
Janos Gat Gallery, New York, New York, U.S.A.
2008
4 Culture Gallery, Seattle, Washington, U.S.A., From Here,
Edelman Arts, New York, New York, U.S.A., My Mind is My House,
Kunstraum Potsdam, Potsdam, Germany, Weeks,
Ace Gallery, Beverly Hills, California, U.S.A.
2007
Savannah College of Art and Design, Atlanta, Georgia, U.S.A.,
American University Museum, Washington, D.C., U.S.A.
Montrasio Arte, Milano, Italy, Short Circuit,
2006
Eaton Fine Art, West Palm Beach, FloridaU.S.A.,
Neuberger Museum, Purchase, New York, U.S.A., The Assembly Line (with By-Products from a Mechanical Trance).,
Volume!, Galerie Piece Unique, Paris, France,
MOT, London, United Kingdom, Recall,
Slought Foundation, Philadelphia, Pennsylvania, U.S.A., Tactics: Early Video,
The Arsenal Gallery, New York, New York, U.S.A.
2005
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
MAM Maro Mauroner Contemporary ArtVienna, Austria
Centre Cultural Bancaixa, Valencia, Spain
Price Tower Arts Center, Bartlesville, Oklahoma, U.S.A.
Kogart, Budapest, Hungary
Chiesa di San Paolo, Modena, Italy
Gallerie Arco, Torino, Italy
2004
Kenny Schachter/ROVE, New York, New York, U.S.A., Vehicles for Projection: Factory Projects,
White Box, New York, New York, U.S.A.
Galleries de Lycee Fond Regional d'Art, Contemporain de Picardie, Amiens, France
Southwestern College, Chula Vista, California, U.S.A., Architectural Drawings,
ASU Art Museum, Tempe, Arizona, U.S.A., Alternate Current,
Museo Fundacion Cristobal Gabarron, Valladolid, Spain
Galerie Heufelder Koos, Munich, Germany
Circulo de Bellas Artes, Madrid, Spain
Ecole Regionale des Beaux-Arts de Nantes, Nantes, France
Stux Gallery, New York, New York, U.S.A.
2003
Whitney Museum of American Art, New York, New York, U.S.A.
Nevada Museum of Art, Reno, Nevada, U.S.A.
Centre de Cultura Sa Nostra, Palma de Mallorca, Spain
Ierimonti Gallery, Milano, Italy,
Eaton Fine Arts, West Palm Beach, Florida, U.S.A.
Stux Gallery, New York, New York, U.S.A.
2002
Michael H. Lord Gallery, Milwaukee, Wisconsin, U.S.A., Selected Works 1968- Present,
John Gibson Gallery, New York, New York, U.S.A.
Eaton Fine Arts, West Palm Beach, Florida, U.S.A., Selected Masterworks,
Joseph Helman Gallery, New York, New York, U.S.A.
2001
Irish Museum of Modern Art, Dublin, Ireland, Land and Body Art from the 1960s and ‘70s,
Guild Hall, East Hampton, New York, U.S.A., New Works,
Joan Guaita, Palma de Mallorca, Spain
Ludwig Forum fur Internationale Kunst, Aachen, Germany, Land and Body,
Musee des Beaux-Arts d'Arras, Arras, France
Dorfman Projects, New York, New York, U.S.A., Upper Cut,
Ace Gallery, Los Angeles, California, U.S.A., Snowman Factory,
2000
Grand Arts, Kansas City, Missouri, U.S.A.,
Piece Unique, Paris, France,
University of Northern Iowa, Gallery of Art, Cedar Falls, Iowa, U.S.A., Twenty Years in the Public Eye,
ICAR Foundation, Paris, France
Ace Gallery, New York, New York, U.S.A., A Survey,
Joan Guaita, Palma, Spain
1999
Corcoran Gallery of Art, Washington, D.C., U.S.A., “New Acquisitions,”
Haines Gallery, San Francsico, California, U.S.A., “Land Art 1968-1978,”
Joseph Helman, New York, New York, U.S.A., “Recent Works,”
Kunsthalle Hamburg, Hamburg, Germany
Hillwood Art Museum, Brookville, New York, U.S.A., “Realized/Unrealized,”
Kunsthalle Hamburg, Hamburg, Germany
1998
Museo de Arte Alvar, Mexico City, Mexico, “Spree,”
Velan per l'arte contemporanea, Carignano, Italy,
Artcore, Toronto, Ontario, Canada,
Stux Gallery, New York, New York, U.S.A., “Recent Models & Installations,”
Museum of Contemporary Art, North Miami, Florida, U.S.A.,
Galapogos Art and Performance Space, Brooklyn, New York, U.S.A., “Blue Collar,”
Eaton Fine Arts, West Palm Beach, Florida, U.S.A., “New Work and Proposals,”
Orlando Museum of Art, Orlando, Florida, U.S.A.
Ace Gallery, Los, Angeles, California, U.S.A., “Surrogate Sculpture,”
Galerie Albrecht, Munich, Germany
University of Arizona Museum of Art, Tucson, Arizona, U.S.A., “The Last Dance,”
1997
Joseph Helman, New York, New York, U.S.A.
Galerie Anselm Dreher, Berlin, Germany, “Factories,”
Stadtische Galerie Nordhorn, Nordhorn, Germany, “Recent Works,”
Venice Biennale, Venice, Italy
Los Angeles County Museum of Art, Los Angeles, California, U.S.A.
Helsinki City Art Museum, Helsinki, Finland
Sarah Moody Gallery of Art, Tusccaloosa, Alabama, U.S.A.
1996
Cargo Marseille, Marseille, France, “Installations, Monumentales,”
Vestsjaellands Kunstmuseum, Soro, Denmark, “Land Art, 196 78,”
Galerie Asbaek, Copenhagen, Denmark, “Rabbit Factory and Other Objects,”
Huntington Art Gallery, Austin, Texas, U.S.A., “Drawings and Sculpture,”
Galerie Lucien, Durand, Paris, France,
Mannheimer Kunstverein, Mannheim, Germany,
Rijksmusuem Kroller Muller, Otterlo, Netherlands,
Tweed Museum of Art Duluth, Minnesota, U.S.A., “Installations, Models, &, Drawings,”
MAMCO, Geneva, Switzerland, ,
Fundacao de Serralves, Porto, Portugal,
Galerie Eugen Lendl, Graz, Austria, “New Sculptures and Drawings,”
Ota Fine Arts, Tokyo, Japan, “Land and Body Art,”
Masataka Hayakawa, Gallery, Tokyo, Japan
Galerie Anton Meier, Geneva, Switzerland
1995
Galerie de la Tour, Amsterdam, Netherlands, “The Old in and Out,”
Galerie Anselm, Dreher, Berlin, Germany,
Haines Gallery, San, Francisco, California, U.S.A., “Counterspace,”
Galerie Albrecht, Munich, Germany,
Ierimonti Gallery, Milano, Italy,
Kunstsammlung Tumulka, Munich, Germany,
Oliver Art Center, Oakland, California, U.S.A., “Silver Tears,”
Butler Institute of Art, Youngstown, Ohio, U.S.A.,
Galeria Tovar & Tovar, Bogota, Columbia
1994
Palau de la Virreina, Barcelona, Spain, “Obra, 196 1994,”
Blum Helman Warehouse, New York, New York, U.S.A.
Musee d’Art Moderne de Lille, Lille, France, “And the Mind Grew Fingers,” Retrospective,
Joseloff Art Gallery, Hartford, Connecticut, U.S.A., “Sculpture & Installations,”
Galeria Greca, Barcelona, Spain
Galeria Aele, Madrid, Spain
Hoyt Institute of Art, New Castle, Pennsylvania, U.S.A.
1993
Galerie Asbaek, Copenhagen, Denmark,
Galerie Albrecht, Munich, Germany, “5 neue, Skulpturen Zeichnungen,”
Sala D'Exposicions, Andorra la Vella, Andorra, “Recent Works,”
Blum Helman Gallery, New York, New York, U.S.A.,
Pori Art Museum, Pori, Finland, “And the Mind Grew Fingers,” Retropective,
Oulu Art Museum, Oulu, Finland, “And the Mind Grew Fingers,” Retrospective,
Ujazdoski Castle, Warsaw, Poland, “And the Mind Grew Fingers,” Retrospective,
Weatherspoon Art Gallery, Greensboro, North Carolina, U.S.A., ,
Boca Raton Museum of Art, Boca, Raton, Florida, U.S.A., “A Year Survey of Drawings,”
Galerie Renee, Ziegler, Zurich, Switzerland, ,
Margaret Lipworth Fine Art, Boca Raton, Florida, U.S.A.,
The Fabric Workshop, Philadelphia, Pennsylvania, U.S.A.,
Berkeley University Art Museum, Berkeley, California, U.S.A., “Land, Art, Body, Project,”
Progretto, Rome, Italy
1992
Blum Helman Warehouse, New York, New York, U.S.A., “Recent Work,’
University Galleries, Normal, Illinois, U.S.A., “Drawings and Selected, Sculpture,”
Cleveland Center for Contemporary Art, Cleveland, Ohio, U.S.A., “Sculpture and Installations, 198 1992,”
Ace Contemporary Exhibitions, Los, Angeles, California, U.S.A., “Dennis Oppenheim,”
Galerie Marika Malacorda, Geneva, Switzerland,
Galeria Greca, Barcelona, Spain, “Tempestad en Una Taza de Te,”
Haines Gallery, San, Francisco, California, U.S.A., “Installation Drawings,”
Galerie Tobias, Hirschmann, Frankfurt, Germany, “Zeichnungen Skulpturen,”
High Museum of Art, Atlanta, Georgia, U.S.A.,
Museum of Fine Arts, Houston, Texas, U.S.A.
1991
Galeria Pedro, Oliveira, Porto, Portugal, “New Sculpture,”
Landfall Press, New York, New York, U.S.A., “In Print,”
Galerie Friebe, Ludenscheid, Germany, “Land Art,”
Galerie Gastaud, Clermont Ferrand, France,
Galerie Thierry Salvador, Paris, France,
Institute for Contemporary Art, Long Island City, New York, U.S.A., “And the Mind Grew Fingers,” Retrospective,
Galerie Berndt + Krips, Koln, Germany, “Dennis Oppenheim,”
Howard Yezerski Gallery, Boston, Massachusetts, U.S.A.
1990
Liverpool Gallery, Brussels, Belgium, “Sculptures/Works on Paper,”
Pierides Museum, Athens, Greece,
John Gibson Gallery, New York, New York, U.S.A.,“Recent Sculpture & Drawings,”
Ace Contemporary Exhibitions, Los Angeles, California, U.S.A.,
Dart Gallery, Chicago, Illinois, U.S.A.,
Galerie Lohrl, Monchengladbach, Germany, “New Work,”
Galerie Berndt + Krips, Koln, Germany,
Galerie Joachim Becker, Cannes, France, “Dessins,”
Le Chanjour, Nice, France, “Recent Work,”
Galerie Tobias Hirschmann, Frankfurt, Germany, “New Work,”
1989
Paris Art Center, Paris, France,
Yvon Lambert, Paris, France,
Elisabeth Franck, Knokke, Belgium,
John Gibson Gallery, New York, New York, U.S.A.,
Willoughby Sharp, New York, New York, U.S.A.,
Anne Plumb Gallery, New York, New York, U.S.A.,
Holly mon Gallery, New York, New York, U.S.A.,
Pace MacGill Gallery, New York, New York, U.S.A., Early Conceptual Work,
1988
Gallery 360, Tokyo, Japan
Anne Plumb Gallery, New York, New York, U.S.A., Impersonation Station,
Walker Art Center, Seoul, South Korea
1986
Tolarno Galleries, South Yarra, Australia,
Laumeier Sculpture Park, St. Louis, Missouri, U.S.A., Drawings,
1985
Sander Gallery, New York, New York, U.S.A.,
Grand Rapids Art Museum, Grand Rapids, Michigan, U.S.A.,
Alan Brown Gallery, Hartsdale, New York, U.S.A.,
Knight Gallery, Charlotte, North Carolina, U.S.A.,
Elisabeth Franck Gallery, Knokke, Belgium,
1984
Braunstein Gallery, San Francisco, California, U.S.A., Sculpture & Drawings,
Hans er, Dusseldorf, Germany,
Sander Gallery, New York, New York, U.S.A., New Projects Models and Drawings,
Philadelphia Art Alliance, Philadelphia, Pennsylvania, U.S.A.,
Center for Contemporary Art, Palm Beach, Florida, U.S.A.,
Francoise Lambert, Milano, Italy,
Yvon Lambert, Paris, France,
San Francisco Museum of Modern Art, San Francisco, California, U.S.A.,
La Jolla Museum of Contemporary Art, La Jolla, California, U.S.A.,
ZHTA MI, Thessaloniki, Greece,
Visual Arts Center, Anchorage, Alaska, U.S.A.,
Tel Aviv Museum, Tel Aviv, Israel, Factories, Fireworks 197 1984,
Buckham Fine Arts Project, Flint, Michigan, U.S.A., Accelerator for Evil Thoughts,
1983
Akira Ikeda Gallery, Tokyo, Japan,
Flow Ace Gallery, Venice, California, U.S.A.,
Galerie Schurr, Stuttgart, Germany,
Galerie Eric Franck, Geneva, Switzerland,
Serra di Felice, New York, New York, U.S.A.,
Seattle Art Museum, Seattle, Washington, U.S.A.,
Munson Williams Proctor Institute, Utica, New York, U.S.A.,
Yorkshire Sculpture Park, West Bretton, United Kingdom,
Whitney Museum of American Art, New York, New York, U.S.A., Lecture 1,
1982
Marianne Deson Gallery, Chicago, Illinois, U.S.A.,
Rijksmuseum Kroller Muller, Otterlo, Netherlands, Dennis Oppenheim,
Mills College Gallery, Oakland, California, U.S.A.,
Galerie Stampa, Basel, Switzerland,
Ikon Gallery, Birmingham, United Kingdom, Vibrating Forest,
Lewis Johnstone, London, United Kingdom,
Musee d’Art et d’Histoire, Geneva, Switzerland,
Olsen Gallery, New York, New York, U.S.A.,
Bonlow Gallery, New York, New York, U.S.A.,
Vancouver Art Gallery, Vancouver, B.C., Canada,
Taub Gallery, Philadelphia, Pennsylvania, U.S.A.,
University Gallery of Fine Art, Columbus, Ohio, U.S.A.,
1981
Sonnabend Gallery, New York, New York, U.S.A.,
City University Graduate Mall, New York, New York, U.S.A., Occasion for Expansion,
The Contemporary Arts Center, Cincinnati, Ohio, U.S.A., Constructions,
Galerie Marika Malacordia, Geneva, Switzerland,
Francoise Lambert, Milano, Italy,
Lowe Art Museum, Miami, Florida, U.S.A.,
Richard Hines Gallery, Seattle, Washington, U.S.A.,
1980
Sonnabend Gallery, New York, New York, U.S.A.,
City University Graduate Mall, New York, New York, U.S.A., Occasion for Expansion,
The Contemporary Arts Center, Cincinnati, Ohio, U.S.A., Constructions,
Galerie Marika Malacordia, Geneva, Switzerland,
Francoise Lambert, Milano, Italy,
Lowe Art Museum, Miami, Florida, U.S.A.,
Richard Hines Gallery, Seattle, Washington, U.S.A.,
1979
Kunsthalle Basel, Basel, Switzerland, New Installation,
University Gallery, New York, New York, U.S.A,.
John Gibson Gallery, New York, New York, U.S.A., Recent Work,
The Kitchen Center, New York, New York, U.S.A., Three Recent Installations,
The Israel Museum, Jerusalem, Israel,
Herron School of Art, Herron Gallery, Indianapolis, Indiana, U.S.A.,
Kent State University, Eels Gallery, Kent, Ohio, U.S.A,
Muses d'Art Moderne de la Ville de Paris, Paris, France,
Northern Illinois University, Dekalb, Ilinois, U.S.A.,
Francoise Lambert, Milano, Italy,
Wurttembergische Kunstverein, Stuttgart, Germany,
Paul Robeson Galleries, Newark, New Jersey, U.S.A., Dennis Oppenheim: Genetic Extensions, Energy Transfers, Works with Offspring,
University Gallery, Amherst, Massachusetts, U.S.A.
Winnipeg Art Gallery, Winnipeg, Manitoba, Canada, Retrospective Works 196 1977, Retrospective
1978
Musee d'art contemporain, Montreal, Quebec, Canada, Retrospective Works 196 1977, Retrospective,
Art Gallery of Ontario, Toronto, Ontario, Canada, Retrospective Works 196 1977, Retrospective,
University of Iowa, Museum of Art, Iowa City, Iowa, U.S.A.,
Multiples, Inc., New York, New York, U.S.A., Recent Drawings,
Visual Arts Museum, New York, New York, U.S.A.,
College at Plattsburg, University Gallery, Plattsburg, New York, U.S.A.,
Marianne Deson Gallery, Chicago, Illinois, U.S.A.,
Alberta College of Art Gallery, Calgary, Alberta, Canada, Lecture #1,
1977
M.L. d'Arc Gallery, New York, New York, U.S.A.
CARP, Los Angeles, California, U.S.A.,
H&M Gallery, Brussels, Belgium,
Galerie Hans er, Dusseldorf, Germany, Project Proposals for the Western United States, 4
John Gibson Gallery, New York, New York, U.S.A., Dennis Oppenheim,
Multiples Inc., New York, New York, U.S.A.,
University of Rhode Island Gallery, Kingston, Rhode Island, U.S.A., 1
University of Montana, Gallery of Visual Art, Missoula, Montana, U.S.A.,
Wright State University, Fine Arts Gallery, Dayton, Ohio, U.S.A.,
Galerie Yvon Lambert, Paris, France,
1976
M.L. d'Arc Gallery, New York, New York, U.S.A.,
Framartstudio, Naples, Italy,
Museum Boymans van Beuningen, Rotterdam, Netherlands, Retrospective,
Bo Alveryd Gallery, Kavlinge, Sweden,
Student Union Gallery, Amherst, Massachusetts, U.S.A., Lecture #2,
1975
Gallery Schema, Florence, Italy,
Gallery Vega, Liege, Belgium,
P.J.M. Self Gallery, London, United Kingdom, Two Works,
Francoise Lambert, Milano, Italy,
Galerie Oppenheim, Koln, Germany, Recent Videos,
John Gibson Gallery, New York, New York, U.S.A., Recent Work,
The Kitchen Center, New York, New York, U.S.A., Recent Work,
Anthology Film Archives, New York, New York, U.S.A.,
Galerie Yvon Lambert, Paris, France,
Alessandra Castelli, Milano, Italy, Projects 196 1974,
Palais des Beaux Arts, Brussels, Belgium,Dennis Oppenheim, Retrospective,
1974
Stedelijk Museum, Amsterdam, Netherlands, Dennis Oppenheim,
John Gibson Gallery, New York, New York, U.S.A., Dennis Oppenheim,
Galerie Oppenheim, Cologne, Germany, Two Right Feet for Sebastian,
Galerie D, Brussels, Belgium, Dennis Oppenheim,
Paolo Barrozzi, Milano, Italy, Dennis Oppenheim,
Galleria Forma, Genoa, Italy, Dennis Oppenheim,
Galerie Yvon Lambert, Paris, France, Dennis Oppenheim,
1973
Sonnabend Gallery, Paris, France, Dennis Oppenheim,
Sonnabend Gallery, New York, New YorkU.S.A., Dennis Oppenheim,
Galleria Forma, Genoa, Italy, Dennis Oppenheim,
Galerie D, Brussels, Belgium, Dennis Oppenheim,
Gallery or, London, United Kingdom, Dennis Oppenheim,
1972
Harold Rivkin, Washington D.C., U.S.A., Chandra,
Sonnabend Gallery, New York, New York, U.S.A., Continuous Outdoor Projections,
Anna Leonowens Gallery, Halifax, Nova Scotia, Canada, 2000’ Shadow Projection,
Mathais Felds, Paris, France, Dennis Oppenheim 196 1971,
Tate Gallery, London, United Kingdom, 2000’ Shadow Projection,
L'Attico, Rome, Italy, Dennis Oppenheim,
Galerie D, Brussels, Belgium, Dennis Oppenheim,
Anna Leonowens Gallery, Halifax, Nova Scotia, Canada, Dennis Oppenheim, ,,
Anna Leonowens Gallery Gallery, Halifax, Nova Scotia, Canada, Projections,
1971
Galerie Yvon Lambert, Paris, France, Dennis Oppenheim,
Francoise Lambert, Milano, Italy, Dennis Oppenheim,
Harcus Krakow Gallery, Boston, Massachusetts, U.S.A., Dennis Oppenheim,
Galerie 20, Amsterdam, Netherlands, Dennis Kristin Erik Chandra Oppenheim,
1970
Reese Palley, San Francisco, California, U.S.A., Ground Mutations,
John Gibson Commissions, Inc., New York, New York, U.S.A., Dennis Oppenheim,
Pennsylvania Art Museum, Erie, Pennsylvania ,U.S.A., Dennis Oppenheim,
Lea Ruma, Naples, Italy, Dennis Oppenheim,
Crossman Gallery, Whitewater, Wisconsin, U.S.A., Dennis Oppenheim,
1969
John Gibson Gallery, New York, New York, U.S.A., Below Zero Projects,
Galerie Yvon Lambert, Paris, France, Dennis Oppenheim,
Francoise Lambert, Milano, Italy, Infected Zone,
1968
John Gibson Gallery, New York, New York, U.S.A.,
1967
Galerie Vega, Leige, Belgium,
Comara Gallery, Los Angeles, California, U.S.A.,
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